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	<title>Arwen Curry</title>
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	<link>http://arwencurry.com</link>
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		<title>My film Stuffed now available to view online!</title>
		<link>http://arwencurry.com/?p=62</link>
		<comments>http://arwencurry.com/?p=62#comments</comments>
		<pubDate>Tue, 31 Aug 2010 05:07:06 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Stuffed]]></category>
		<category><![CDATA[Cerissa Tanner]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[hoarding]]></category>

		<guid isPermaLink="false">http://arwencurry.com/?p=62</guid>
		<description><![CDATA[Now you can watch Stuffed, my doc on compulsive hoarding &#038; cluttering (co-directed with Cerissa Tanner) on Amazon for $1.99, or buy it for $7.99. Amazon? I know. I have mixed feelings. But I&#8217;m happy people can see it.]]></description>
			<content:encoded><![CDATA[<p>Now you can watch <a href="http://www.amazon.com/Stuffed/dp/B003BYPQZQ">Stuffed</a>, my doc on compulsive hoarding &#038; cluttering (co-directed with Cerissa Tanner) on Amazon for $1.99, or buy it for $7.99. Amazon? I know. I have mixed feelings. But I&#8217;m happy people can see it.</p>
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		<title>If You Like Parties</title>
		<link>http://arwencurry.com/?p=53</link>
		<comments>http://arwencurry.com/?p=53#comments</comments>
		<pubDate>Thu, 26 Aug 2010 18:26:25 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[If You Like Parties]]></category>
		<category><![CDATA[MRR]]></category>
		<category><![CDATA[Maximumrocknroll]]></category>
		<category><![CDATA[Mimi Thi Nguyen]]></category>

		<guid isPermaLink="false">http://arwencurry.com/?p=53</guid>
		<description><![CDATA[I&#8217;m writing once more for Maximum Rocknroll. If You Like Parties, maybe you&#8217;ll like this&#8230;]]></description>
			<content:encoded><![CDATA[<p>I&#8217;m writing once more for Maximum Rocknroll. <a href="http://maximumrocknroll.com/?s=arwen/">If You Like Parties,</a> maybe you&#8217;ll like this&#8230;</p>
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		<title>I am interviewed by the Rejectionist.</title>
		<link>http://arwencurry.com/?p=44</link>
		<comments>http://arwencurry.com/?p=44#comments</comments>
		<pubDate>Wed, 18 Aug 2010 05:48:31 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Worlds of Ursula K. Le Guin]]></category>
		<category><![CDATA[UKL]]></category>

		<guid isPermaLink="false">http://arwencurry.com/?p=44</guid>
		<description><![CDATA[Arwen Curry is a filmmaker and writer. She is an associate producer of the documentary Regarding Susan Sontag and co-produced and directed the 2006 documentary Stuffed. She coordinated the magazine Maximum Rocknroll from 1998 to 2004 and publishes the zine Ration. She talked to us about her current project, a documentary on Ursula K. LeGuin.]]></description>
			<content:encoded><![CDATA[<p><a href="http://arwencurry.com/wp-content/uploads/2010/08/ukl111.jpg"><img src="http://arwencurry.com/wp-content/uploads/2010/08/ukl111-1023x705.jpg" alt="" title="Arwen &amp; Ursula filming on the Oregon coast. 2010. " width="1023" height="705" class="alignleft size-large wp-image-49" /></a><a href="http://www.therejectionist.com/search?q=arwen"></p>
<p>Arwen Curry is a filmmaker and writer. She is an associate producer of the documentary Regarding Susan Sontag and co-produced and directed the 2006 documentary Stuffed. She coordinated the magazine Maximum Rocknroll from 1998 to 2004 and publishes the zine Ration. She talked to us about her current project, a documentary on Ursula K. LeGuin.</p>
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		<title>Worlds of Ursula K. Le Guin</title>
		<link>http://arwencurry.com/?p=30</link>
		<comments>http://arwencurry.com/?p=30#comments</comments>
		<pubDate>Fri, 11 Jun 2010 20:38:43 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Worlds of Ursula K. Le Guin]]></category>
		<category><![CDATA[documentary film]]></category>
		<category><![CDATA[Margaret Atwood]]></category>
		<category><![CDATA[Ursula K. Le Guin]]></category>

		<guid isPermaLink="false">http://arwencurry.com/?p=30</guid>
		<description><![CDATA[Le Guin will speak with Margaret Atwood at Portland Arts &#38; Lectures on September 23. I&#8217;ll be traveling north once again to interview Ms. Atwood about Ms. Le Guin. Atwood&#8217;s review of Le Guin&#8217;s story collection Birthday of the World is one of my favorite pieces of Le Guin criticism. For her part, Le Guin [...]]]></description>
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<a href='http://arwencurry.com/?attachment_id=32' title='Worlds of Ursula K. Le Guin'><img width="150" height="150" src="http://arwencurry.com/wp-content/uploads/2010/06/LeGuin_brochure_front-150x150.jpg" class="attachment-thumbnail" alt="Worlds of Ursula K. Le Guin" title="Worlds of Ursula K. Le Guin" /></a>

<p>Le Guin will speak with Margaret Atwood at Portland Arts &amp; Lectures on September 23. I&#8217;ll be traveling north once again to interview Ms. Atwood about Ms. Le Guin. Atwood&#8217;s <a href="http://www.nybooks.com/articles/archives/2002/sep/26/the-queen-of-quinkdom/">review</a> of Le Guin&#8217;s story collection <em>Birthday of the World </em>is one of my favorite pieces of Le Guin criticism. For her part, Le Guin has taken Atwood to task for evading the term &#8220;science fiction&#8221; to describe her last novel, the enthusiastically welcomed <em><a href="http://www.guardian.co.uk/books/2009/aug/29/margaret-atwood-year-of-flood">The Year of the Flood</a>. </em>Their discussion is sure to be thought-provoking, and if I were you, and anywhere nearby, I&#8217;d be sure not to miss it.</p>
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		<title>Arwen speaking on BAVC fundraising panel Tuesday</title>
		<link>http://arwencurry.com/?p=17</link>
		<comments>http://arwencurry.com/?p=17#comments</comments>
		<pubDate>Sat, 10 Apr 2010 18:07:34 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://arwencurry.com/?p=17</guid>
		<description><![CDATA[I&#8217;ll be speaking about doc film fundraising on a panel this Tuesday, April 13 with acclaimed non-profit arts consultant Morrie Warshawski for the third installment of BAVC&#8217;s &#8220;Art of Fundraising&#8221; series. Moderator Jeff Perlstein of GFEM, Danae Ringelman of IndieGoGo and Ellen Schneider of Active Voice will join me. Hope to see you there, but please RSVP as soon as you [...]]]></description>
			<content:encoded><![CDATA[<p>I&#8217;ll be speaking about doc film fundraising on a panel this Tuesday, April 13 with acclaimed non-profit arts consultant <a href="http://www.warshawski.com/" target="_self">Morrie Warshawski</a> for the third installment of BAVC&#8217;s &#8220;Art of Fundraising&#8221; series. Moderator Jeff Perlstein of <a href="http://gfem.org/" target="_self">GFEM</a>, Danae Ringelman of <a href="http://www.indiegogo.com/" target="_self">IndieGoGo</a> and Ellen Schneider of <a href="http://activevoice.net/" target="_self">Active Voice</a> will join me. Hope to see you there, but please RSVP as soon as you can, because it&#8217;s filling up (or maybe already filled). More here: <a href="http://www.bavc.org/index.php?option=com_content&amp;task=view&amp;id=1721&amp;Itemid=1878">http://www.bavc.org/index.php?option=com_content&amp;task=view&amp;id=1721&amp;Itemid=1878</a></p>
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		<title>Report: March 2010 shoot with UKL</title>
		<link>http://arwencurry.com/?p=15</link>
		<comments>http://arwencurry.com/?p=15#comments</comments>
		<pubDate>Thu, 25 Mar 2010 16:25:42 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://arwencurry.com/?p=15</guid>
		<description><![CDATA[My latest shoot with Ursula went great. Someone is trying to include her invented word for a faster-than-light communication device, the ansible, in the OED. More details to come!]]></description>
			<content:encoded><![CDATA[<p><span style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; color: #333333" class="Apple-style-span"><br />
<h3 style="font-size: 13px; color: #333333; font-weight: normal; overflow-x: hidden; overflow-y: hidden; padding: 0px; margin: 0px" data-ft="{"type":"msg"}" class="UIIntentionalStory_Message"><span class="UIStory_Message">My latest shoot with Ursula went great. Someone is trying to include her invented word for a faster-than-light communication device, the ansible, in the OED. More details to come!</span></h3>
<p></span></p>
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		<title>Robert Darnton Reflects on the Google Settlement in the NYRB</title>
		<link>http://arwencurry.com/?p=14</link>
		<comments>http://arwencurry.com/?p=14#comments</comments>
		<pubDate>Tue, 05 Jan 2010 20:57:23 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://arwencurry.com/?p=14</guid>
		<description><![CDATA[Google &#38; the Future of Books By Robert Darnton How can we navigate through the information landscape that is only beginning to come into view? The question is more urgent than ever following the recent settlement between Google and the authors and publishers who were suing it for alleged breach of copyright. For the last four [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: left"><span class="Apple-style-span" style="font-size: small"></span><font face="arial, sans-serif"> </font></p>
<p><font face="arial, sans-serif">
<p style="text-align: left"><span class="Apple-style-span" style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: small; font-weight: bold">Google &amp; the Future of Books</span></p>
<p><font face="Verdana, Arial, Helvetica, sans-serif" size="2">
<p style="text-align: left">By Robert Darnton</p>
<p style="text-align: left">How can we navigate through the information landscape that is only beginning to come into view? The question is more urgent than ever following the recent settlement between Google and the authors and publishers who were suing it for alleged breach of copyright. For the last four years, Google has been digitizing millions of books, including many covered by copyright, from the collections of major research libraries, and making the texts searchable online. The authors and publishers objected that digitizing constituted a violation of their copyrights. After lengthy negotiations, the plaintiffs and Google agreed on a settlement, which will have a profound effect on the way books reach readers for the foreseeable future. What will that future be?</p>
<p></font></font>
<p style="text-align: left">&nbsp;</p>
<p style="text-align: left"><font face="arial, sans-serif"><font face="Verdana, Arial, Helvetica, sans-serif" size="2">Read the complete article here: <a href="http://www.nybooks.com/articles/22281">http://www.nybooks.com/articles/22281</a> </font></font></p>
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		<title>Ursula K. Le Guin Resigns from the Authors Guild over Google Settlement</title>
		<link>http://arwencurry.com/?p=13</link>
		<comments>http://arwencurry.com/?p=13#comments</comments>
		<pubDate>Tue, 05 Jan 2010 20:55:32 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://arwencurry.com/?p=13</guid>
		<description><![CDATA[Resignation letter from Ursula Le Guin18 December 2009To whom it may concern at the Authors Guild:I have been a member of the Authors Guild since 1972. At no time during those thirty-seven years was I able to attend the functions, parties, and so forth offered by the Guild to members who happen to live on [...]]]></description>
			<content:encoded><![CDATA[<p><font><font>Resignation letter from Ursula Le Guin</font></font><font></font><font><font>18 December 2009</font></font><font></font><font><font>To whom it may concern at the Authors Guild:</font></font><font></font><font><font>I have been a member of the Authors Guild since 1972. </font></font><font></font><font><font>At no time during those thirty-seven years was I able to attend the functions, parties, and so forth offered by the Guild to members who happen to live on the other side of the continent. I have naturally resented this geographical discrimination, reflected also in the officership of the Guild, always almost all Easterners. But it was a petty gripe when I compared it to my gratitude to the Guild for the work you were doing in defending writers’ rights. I went on paying top dues and thought it worth it. </font></font><font></font><font><font>And now you have sold us down the river.</font></font><font><font>I am not going to rehearse any arguments pro and anti the “Google settlement.” You decided to deal with the devil, as it were, and have presented your arguments for doing so. I wish I could accept them. I can’t. There are principles involved, above all the whole concept of copyright; and these you have seen fit to abandon to a corporation, on their terms, without a struggle.</font></font><font></font><font><font>So, after being a loyal if invisible member for so long, I am resigning from the Guild. I am, however, retaining membership in the National Writers Union and the Science Fiction and Fantasy Writers of America, both of which opposed the “Google settlement.” They don’t have your clout, but their judgment, I think, is sounder, and their courage greater.</font></font><font></font><font><font>Yours truly,</font></font><font></font><font><font>Ursula K. Le Guin</font></font><font><font><em>This letter may be quoted or copied, with attribution.</em></font></font><font></font></p>
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		<title>California Documentary Project awards development grant to Worlds of Ursula K. Le Guin</title>
		<link>http://arwencurry.com/?p=11</link>
		<comments>http://arwencurry.com/?p=11#comments</comments>
		<pubDate>Wed, 01 Apr 2009 22:56:00 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://arwencurry.com/?p=11</guid>
		<description><![CDATA[December 2008: California Documentary Project, a joint program of the California Council for the Humanities and the Skirball Foundation, awarded the Worlds of Ursula K. Le Guin film a Research &#38; Development Grant. This funding will allow me to work with humanities experts to develop the California story that informs so much of Le Guin&#8217;s [...]]]></description>
			<content:encoded><![CDATA[<p style="text-align: left">December 2008: <a href="http://www.calhum.org/programs/doc_intro.htm">California Documentary Project</a>, a joint program of the California Council for the Humanities and the Skirball Foundation, awarded the Worlds of Ursula K. Le Guin film a Research &amp; Development Grant. This funding will allow me to work with humanities experts to develop the California story that informs so much of Le Guin&#8217;s work. In addition, our team is using the grant to create a funding trailer incorporating interviews with Ursula, her fans, and archival footage and photographs.</p>
<p><a href="http://www.calhum.org/programs/doc_intro.htm"></a></p>
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		<title>Arwen Lee Curry Awarded SFFS Filmhouse Residency</title>
		<link>http://arwencurry.com/?p=9</link>
		<comments>http://arwencurry.com/?p=9#comments</comments>
		<pubDate>Wed, 12 Nov 2008 21:38:00 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://arwencurry.com/?p=9</guid>
		<description><![CDATA[Worlds of Ursula K. Le Guin (working title) has a new home by the bay. View the press release here: The San Francisco Film Society announced today the first ten filmmakers who have been awarded SFFS FilmHouse Residencies. This innovative new program, developed in partnership with the San Francisco Film Commission, supports local independent filmmaking [...]]]></description>
			<content:encoded><![CDATA[<p>Worlds of Ursula K. Le Guin (working title) has a new home by the bay. View the press release <a href="http://www.sffs.org/pressroom/release.php?id=237">here:</a></p>
<p>The San Francisco Film Society announced today the first ten filmmakers who have been awarded SFFS FilmHouse Residencies. This innovative new program, developed in partnership with the San Francisco Film Commission, supports local independent filmmaking by making office space available free of charge to filmmakers actively engaged in various stages of film production. The initial recipients include writers and directors, working on narrative features and documentaries, from the earliest stages of development to postproduction. FilmHouse, opening on November 1, will function as a vibrant workshop and community-builder for local filmmakers of all stripes.</p>
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